This is an analysis of electronic publishing trends from the year 1970 to 2008 in the form of a chart. From the chart you can see, the term "electronic publishing" was unfamiliar to most people in 1970. Then from 1977, some people began to use it, and it gained great popularity from 1980 to 1985. The term experienced ups and downs since then. There are three prime times of the phrase, which appeared in 1985, 1988 and 1997 respectively, from its last heyday, the phrase has been used by less and less people.
Though the term "electronic publishing" is used by less people now, it doesn't necessarily mean that electronic publishing is on the decline. On the contrary, with more advanced E-books available, and with more people realize the importance of environmental protection, electronic publishing will surely gain more popularity in the future.
Brought to you by Dejan SEO
From the chart above we see rise and fall of the term "electronic publishing" in literature published between 1970 and 2008.
Over 100 China publishing industry leaders convened in Beijing’s Crowne Plaza Hotel on August 29 at IDPF@BIBF, the first China event produced by the International Digital Publishing Forum (IDPF). IDPF@BIBF, held in conjunction with the 20th Beijing International Book Fair, focused on key issues and opportunities presented by the global expansion of digital publishing across segments of the traditional publishing industry (trade, reference, academic, scientific and education) . IDPF@BIBF was a “tremendous success” declared Mr. Liu Bogan, Vice President, China Publishing Group, in his closing remarks. Mr. Bogan also underscored a common thread running through many of the day’s talks: the strategic imperative for integration of the global publishing value chain through open standards and comprehensive platforms. Digital publishing supports a compelling need, in China and beyond, to increase reader access to compelling content. But it’s also critical to foster sustainable business models that will continue to make it profitable for authors and publishers to create and distribute that content across multiple channels. This critical need dictates increased integration: for “holding hands” across the industry and around the world. Another common theme of the day was the need to evolve from digitized editions to native digital content that takes full advantage of digital device capabilities, and which is already increasingly be created via “digital first” workflows rather than as a post-product of print production.
The rapidly evolving education publishing segment was a particular focus of IDPF@BIBF: in the day’s closing talks, Ryan Hunt, VP of Architecture and Solutions at Pearson, the world’s largest education publisher, and the CEO of Vibal Group, the Philippines market leader, showcased how their firms are reinventing themselves as technology companies as they innovate with digital content based on key open standards such as EPUB, HTML5 and the overall Open Web Platform (which were reviewed in depth by IDPF Executive Director Bill McCoy and Xiaoqian Wu of W3C Beihang University in their respective talks). The conference kicked off with a comprehensive region-by-region overview of global digital publishing market development from noted industry analyst Dr. Ruediger Wischenbart. IDPF@BIBF also featured case studies from executives Al Bertrand of Princeton University Press and Tom Christensen of Berkshire Publishing Group of how their firms are navigating the digital transformation in academic and reference segments by moving towards an e-centric model of content development. A compelling demonstration of the increasing role of interactivity in making content more engaging was provided by Joshua Seah, product manager at leading solution developer Metrodigi. And an engaging panel discussion between Copyright Clearance Center CEO Michael Healy and UK Publishers Association CEO Richard Mollett highlighted the enduring and evolving role of copyright in the digital age.
The complete program for IDPF@BIBF, with links to speaker slides, is available at http://idpf.org/idpf-bibf-2014. With a multi-year cooperation agreement in place between IDPF and China Publishing Group, the BIBF organizers, additional IDPF events focused on the China market are planned for the coming year including an IDPF presence at BIBF 2015 as well as bilingual content by IDPF at BookExpo America 2015, where China will be the Guest of Honor.
EPUB 3.0.1 has been overwhelmingly approved by the IDPF membership as a final Recommended Specification, superseding EPUB 3.0 to become the current version of the EPUB Standard. EPUB 3.0.1 is a minor revision, focusing primarily on bug fixes and errata for the 3.0 specification, together with several minor backwards-compatible additions.
A quorum of 95 IDPF member representatives voted in this election (50% of eligible members), with 93 voting in favor and 1 voting against (with 1 abstention), for an overall approval percentage of 99%, exceeding the Super-Majority of 66%, required by IDPF policies and procedures.
The changes in EPUB 3.0.1 are described in summary form
here, with full details of the 200+ issues addressed by the EPUB Working Group available
LONDON, UK – 9 April 2014 (PRESS RELEASE): The IDPF is pleased to announce the launch of its new microsite – EPUBZone.org, the Community and News site for all things EPUB.
“IDPF is launching EPUBZone to broaden information resources for our members and the publishing industry at large" said Bill McCoy, Executive Director, IDPF. "Our main website will continue to focus on IDPF's work, including ongoing development of the EPUB standard, while the complementary focus of EPUBZone will be as a clearinghouse and global community for EPUB adopters and users, with an emphasis on practical information and real-world solutions.”
EPUBZone is a resource available to everyone in the publishing industry, providing a central forum for information, discussion, latest news and details of events about EPUB, the globally adopted digital publication standard. The initial focus is EPUB 3, the latest version of the standard, with articles about capabilities and best practice for creating EPUB 3 compatible content and a showcase gallery of freely downloadable sample material. In addition, there is also specific information for developers including specification updates and plans for the future.
Get involved and stay in touch! We welcome all news stories and updates of your experiences with EPUB - please share these with our community. Follow us on twitter - @EPUB3zone and help us to make this a useful and vibrant site for all EPUB users.
For further information and details about how you can contribute to this new site please contact Sarah Hilderley, Community Engagements Manager at IDPF – firstname.lastname@example.org.
The IDPF will hold a technical workshop on Sequential Art (Comics, Manga, Bandes dessinées, and new form) on March 26, 2014 in Paris, France, hosted by Cap Digital, and via web meeting. The goals of this international workshop are to inform IDPF members and other interested parties about the new features for fixed-layout EPUB that have been developed by the Advanced-Hybrid Layout (AHL) Working Group, to determine what gaps may still remain in EPUB relative to requirements for digital comics and manga (such as
interactive cutscenes and other advanced inter- and intra-page transition effects), and to reach consensus of stakeholders on an action plan to address these gaps and ensure that EPUB is a
complete foundation for rich, interactive digital comics and manga on a global basis.
For more information on the event and how to participate, visit the event page at